![]() ![]() #Elit iscan movie#His first acting experience was the character of Yıldız in the movie “Five Times”. #Elit iscan series#After the Forbidden Apple set employee alleged that Talat Bulut harassed him, a similar news came from the set of the new internet series “Yaşamayalar”.Ģ4-year-old young actress Elit İşcan, in her statement on her Instagram account, claimed that 26-year-old Efecan Şenolsun, who played in the same series, harassed her.Įlit İşcan is a very successful actress who is known for her TV series Little Women and later made her debut with the movie Mustang. Elit İşcan and Efecan Şenolsun, both young actors, are the parties to another harassment report that allegedly took place on the set of the TV series. Finally, an employee working on the set of the Forbidden Apple TV series claimed that Talat Bulut harassed him, but as a result of the lawsuit, Talat Bulut was found not guilty. The reason why we hear such news more often is that the abused party can make a noise and say stop to these atrocities. ![]() The serpent has done its dirty work.Unfortunately, allegations of harassment are incessant. Its vision of people in thrall to religious ritual and living at the mercy of nature may be poetic, but it is no idyll. The music lush but emotionally neutral and at times static conjures eternal things.įor all its beauty, though, you couldn’t describe “Times and Winds” as uplifting, and its attitude toward childhood is not sentimental in the manner of similarly minimalist Iranian movies. Augmenting this pastoral symphony are excerpts from several pieces by Arvo Pärt (including the “Te Deum”) that add texture and gravity to the film. As the sun rises at the end of the movie, this rearrangement of time simultaneously evokes the village’s unchanging way of life and the blind expectations of preadolescent children facing adulthood.Īs in Iranian films that focus on childhood, the soundtrack of “Times and Winds” is filled with the stirrings of nature the wind rushing through trees, animal sounds and bird song from near and far. The film is organized around the five daily calls to Islamic prayer, chronologically reversed so that night is followed by evening, then afternoon, noon and dawn. ![]() Its absence of high drama allows such primary forces to become its main subject. The teacher’s lessons about the Earth’s rotation, light, heat and the water cycle reflect the film’s focus on the intersection of daily life with the laws of nature. ![]() The scene of the son spying on the father spying on the woman rubs in the fact that this is no Garden of Eden. The boy is crushed when he comes upon his father peeping at her through a window of her house. Yakup has a secret infatuation with the village teacher (Selma Ergec), a beautiful young woman whom the villagers reward with regular deliveries of milk and bread. Yildiz is treated like a servant by her mother. There is a scene of a frustrated farmer beating a horse and another of an old man attacking his son for stealing nuts from a tree. ![]()
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